In response to Escher’s tessellations nendo created its own tessellation using the house motif, which allows for multiple readings. Sato designed a new nendo collection for the exhibition: a series of eleven objects made from black and white metal, developed from sketches produced throughout the exhibition design process. The houses are painted black on one side and white on the other, with a group in the centre inverted, so that depending on the viewpoint, a white or black house silhouette appears floating in the middle of the installation. For instance, to reflect Escher’s fascination with the concept of infinity, Sato designed a circular chandelier made from suspended chains comprised of 30,000 die-cut houses. When I thought about the invitation to design a space for Escher, I thought about a shape that can contain and convey all the layers and complexities of this exhibition and will serve as a ‘house’ for Escher.Įach space contains a different iteration or expression of the house motif. This simple shape can convey various concepts such as inside and outside, two-dimensional and three-dimensional, perspective and scale, as well as evoke emotions and feelings such as longing and nostalgia. The house is an icon and a symbol of space that many people can recognise and understand. Sato chose the house as a ‘hero’ symbol and icon to convey the concept of space: The viewer experiences the work in an immersive way, rather than just passively viewing it as a series of framed pictures on a wall. Sato’s design is a series of interconnected spaces that follow the journey of Escher’s life’s work, building on Escher’s ideas with different spaces and methods of display. Oki Sato was invited by the NGV to create a thought-provoking exhibition space that responded to themes in M.C. But we believe these small ‘!’ moments are what make our days so interesting, so rich. And even when we do recognise them, we tend to unconsciously reset our minds and forget what we’ve seen. There are many small ‘!’ moments hidden in our everyday. Founded in Tokyo in 2002 by Oki Sato, the studio has a distinctive approach which it applies to the design of interiors, installations, furniture, household products, and art objects. Nendo (‘clay’ in English) is a collaborative design studio, with offices in both Milan and Tokyo. For this work, Escher fixed the fish’s tail, and rotated its body around the fixed point to create the other fish. ![]() A rotation is when one point of the image is fixed and the rest of the image is rotated around that point. Rotation is used to create the tessellation. How has the flying fish shape been repeated in this tessellation? Can you find the fixed point around which the fish turn? Now look at Regular division of the plane no. The blue bird is then shifted vertically parallel to the mirror line. In this image, the white bird is flipped over the line of reflection – the mirror line – to create the image of the blue bird. A glide reflection is made up of a reflection and a translation. How has the bird been placed to make the pattern?Įscher has used translation and glide reflection. The original horse shape is maintained and shifted across the surface to create other winged horses that form the tessellation. 105 (Pegasus), 1959, in which only one shape is used. This can be seen in Regular division of the plane no. How have the horses been placed to repeat the pattern? Have they been flipped or turned?Ī translation is when an image is preserved and moved in any direction across a surface without turning or flipping it. Translation, reflection and rotation are ways to transform a shape in a tessellation. In maths a shape is considered transformed when it is shifted from one position to another while maintaining its exact image. To create many of these tessellations, Escher used mathematical transformations. He referred to his tessellations as ‘regular division of the plane.’ Over three decades, he created more than 130 tessellations incorporating repeating motifs of creatures and figures. Surprisingly, Escher didn’t do well at mathematics in school, but his complex designs have inspired many mathematical thinkers.Įscher was intrigued by tessellations – patterns that repeat without gaps or overlapping. Escher (1898 – 1972) is well known, but initially it was mathematicians and scientists who were most interested in Escher’s work. Although I am absolutely without training or knowledge, I often seem to have more in common with mathematicians than my fellow artists.
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